dope. want for my house.
One heart. Rotation of 3. A.b.c… 1.2.3 (Taken with Instagram)
#The Finding Aid: The Finding Aid: Black Women at the Intersection of Art and Archiving... -
i see some familiar faces on the panel! sounds like an amazing night. wish i could be there!
You should definitely be here! A labor of love for the past 3 months. Co-curating this event has been a pleasure. Come out and support us at the Schomburg Center for Research in Black Culture on May 21st @ 6:30pm :)
The Finding Aid: Black Women at the Intersection of Art and Archiving is an interactive, multi-media dialogue that explores the intersection of experimental art practices and community-based archiving.
The event’s organization is based on the idea of a finding aid. A finding aid is a document used in archives for accessibility and discovery. We will transform a finding aid from an archival inventory/guide into an artistic archival experience.
Our goal for this event is that people leave knowing what an archive and archivist is or can be, and that people feel empowered to begin their own archival/artistic practice or feel moved to engage with existing archives.Tuesday, May 21, 2013 @ 6:30pmSchomburg Center for Research in Black CultureLangston Hughes Auditorium***
Joyce-LeeAnn is a writer, archivist and performance artist from Denver, Colorado based in Brooklyn, New York. She received a BA in Writing and Literature from Naropa University via Hampton University. She received a MILS with an Archives Certificate from Pratt Institute. She works as a professional project archivist. Joyce-LeeAnn’s writing explores the poetics of archival processing and investigates ways to tell stories through preserved documents. Subjects covered in her prose | poetry include: grief, healing processes, beautiful moments, writings on restroom walls and a fragment of black Denver history. Her experimental literary performances usually include a makeshift typewriter-drum-kit.
Kameelah Janan Rasheed (b. 1985) is a photo-based artist, writer, and educator from East Palo Alto, CA based in Brooklyn, NY. She is a Gallery/Studio Instructor at the Brooklyn Museum as well as a public school teacher working with court involved youth in East New York. Kameelah’s work enlists archival as well as archeological traditions to explore collective memory and her family narratives through found images from eBay and estate sells, material objects, and original photography. An object-based body of work, she interrogates the trinity of spatial trauma within Black communities — homelessness, incarceration, and forced migration and how this influences both collective memory and the way we reconstruct narratives from material fragments. Currently, she is an Artist-in-Residence at the Center for Book Arts. In 2012, Kameelah was an Artist-in-Residence at the Center for Photography at Woodstock. She will have her first solo exhibit at Real Art Ways in July 2013 tentatively entitled The Imagined Archive. A former Fulbright Scholar to South Africa, Kameelah received her Master of Education from Stanford University and a Bachelor of Arts in Policy and Africana Studies from Pomona College.
Marilyn Nance is an American visual artist known for her images of 20th century African American life—spirituality, music, art, and African retentions, She grew up through many movements—The Civil Rights Movement, Black Power, Black Arts, Anti War, Students Rights, the Women’s Movement, and the Anti-Apartheid Movement.
A two-time finalist for the W. Eugene Smith Award in Humanistic Photography, her photographs can be found in the Smithsonian American Art Museum, the Schomburg Center for Research in Black Culture and in the Library of Congress.
Image © Albert Chong
Arianne Edmonds is a Los Angeles native, storyteller and archivist. Her historical collection spans from 1886-1950 and explores the uniqueness of early black Los Angeles, through the lens of genealogy. She received her Bachelors of Science in Communications, from the University of the Arts in Philadelphia and started her career in educational media at Sesame Workshop. She currently works with the Taproot Foundation managing consultant relations and community partnerships.
Ladi’Sasha Jones is a is a collector and witness worker of oral history narratives with a special interest in documenting Black women’s stories and Black American family life. She approaches her documentation practice by working from the intersections of cultural equity and collective community memory.
Currently, Ladi’Sasha is working on the curation of a public forum to share her collection of oral history records via a digital sound art gallery — coming Summer 2013. Having earned her B.A. in African American Studies from Temple University in 2010 and a M.A. in Arts Politics from NYU Tisch School of the Arts in 2012, she recently completed a Certificate in Oral History from Baylor University in April of 2013. She aims to move towards freelancing and sharing her documenting services with community and cultural arts organizations along with individual artists.
Shawn(ta) Smith is a lesbian separatist, writer, archivist and reference librarian. Her essays blend storytelling with documentation and archiving. Her work will appear in “Black Gay Genius Interview with Lisa C. Moore” in Black Gay Genius: Joseph Beam and In the Life (forthcoming). She is currently editing a new anthology Her Saturn Returns: Queer Women of Color Life Transitions, a compilation of narratives of queer women and color in their Saturn. Shawn is a collective member of the Lesbian Herstory Archives and the WOW Cafe Theater where she co-produces Rivers of Honey, a monthly Cabaret highlighting the art of women of color. Shawn is pursuing her MFA in Fiction at Queens College while working as a reference & instruction librarian at the Graduate Center of the City University of New York. She is the former Archive Coordinator for StoryCorps.
// hersaturnreturns.com // riversofhoney.com
Photo © Arianne Benford
Sonia Louise Davis (b. 1988, New York City) is an artist and photographer. Using a large format view camera, her work mines the public and private archive, exploring collective memory and family history through site-specific and community-based projects. Sonia is currently participating in the Artist in the Marketplace (AIM) Program at the Bronx Museum of the Arts. An honors graduate of Wesleyan University, she holds a BA in African American Studies, with a concentration in Music and Visual Art.
Born in Las Vegas, Salome Asega is an Ethiopian visual artist and independent curator working in Brooklyn. She received her BA in Transnational Visual Art and Social Practice from the Gallatin School at NYU and is currently an MFA candidate in the Design and Technology program at Parsons The New School for Design. She is also a founding member of theSistah Friends Project.
this commentary, tho? perfection.
Janelle Monae looks fab 😍
Jane is #PERCHED, honey! Face is BEAT to smithereens, and that hair is SITTING like Rosa on that bus! WERQUEEE!
So wtf is y’all talkin about lol
Re-blogging this simple for this comment “Hair is sitting like Rosa on that bus!” I am clearly going to be using that from now on LMAO!!!!
Yes that commentary
latoya ruby frazier. one of my absolute favorite artists.
plus, she’s real easy on the eyes…
she has a solo show at the BK museum through august. :)
Bumming Cigarettes is a short film about a brief and intimate meeting between a young Black lesbian woman who is in the process of taking an HIV test and a middle aged Black Gay HIV Positive man. Coming off of the devastation of a bad breakup with a girlfriend, Vee musters up the courage to go and take an HIV test to put her worst fears to rest. What she experiences during her trip to a local clinic is much more than she expects while sharing a cigarette with a stranger, Jimmy, during the 10 minutes that she awaits her test results.
Alia Hatch makes a strong debut in this short film, as a young Black lesbian woman looking to discover her status. This is a breakthrough performance for James Tolbert, a native Philadelphian and professional actor living with HIV for 21 years. Alia and James deliver a moving performance in this film that explores complex issues surrounding the HIV/AIDS epidemic including the loss of intimacy and stigma that persons living with HIV/AIDS may encounter, while also encouraging awareness around HIV/AIDS testing and the way we treat persons living with the disease.
STATUS: NOW SCREENING
this might be heaven.
(c) keondra. 2012.
Male privilege is “I have a boyfriend” being the only thing that can actually stop someone from hitting on you because they respect another male-bodied person more than they respect your rejection/lack of interest. — The Sociological Cinema (via trimichaelceratops)
(Source: queerintersectional, via sapphrikah)
(c) jessica noel.
via mambu badu
meanwhile, @keondra and i will just stay busy being adorable.
Imma be there in 5 minutes — Classic African American tall tale (via squirtelle)